seventeenth release from the brilliant small world disco edits, this time from ltjs alter ego, one man edit. huge release!

the wörld is ours is the twentieth album by british rock band motörhead, first released on 14 december 2010.

these fellas hailed from leeds, and apparently have some sort of morbid love affair with balconies... mystery meat is on a tear these days and continuing to up the ante bring you a trio of terrific reworks from leeds finest, the dashing duo that is death on the balcony. paul and mark have been on the forefront of the deep house and disco world for a number of years now following a killer contribution to soul claps 2nd free.p >cruel banana< not to mention their >adventures of soul clap podcast - downtown:uptown<. fast forward to 2011 and the boys are on all of the top labels of the moment, including culprit, silver network, airdrop and their own magicbag. its no wonder then that their contribution to the fabled mystery meat imprint is anything short of stellar. >get out of your world< is an electro boogie monster, already melting down dancefloors from london to los angeles, berlin to beijing and back again theres just no denying that bassline! >what is dub< takes things more melodic and dare we say deeper with a hypnotic vocal that you just cant get out of your head. rounding death on the balconys ep out is >if you want my champagne<, a bouncy house re-work of one of the 80s finest voices. bounce to this!

stephane signore delivers an excellent record called >we live in a world of ba57ard ep< chordy and firm techno that will rock in venues with good soundsystem. with long an well constructed builds on the opening track called bad trip. this is a vinyl that will no doubt get support from larger names in the industry. the second track is the stanny franssen remix of ba57ard. this is a nice rolling remix with a lot of dynamics and way more uplifting that the original. for the 3rd track on the ep we find this original piece. this is a very deep somewhat chaotic production, this might just be the eps winning track. with a strong arrangement and little vocal edits this will no doubt get played alot. for the closing track we have got >paranoid< the title covers the load, strong dark techno music that will rock your world.

eric raynaud aka fraction and guillaume eluerd aka nimp are composer. album features vocals from suzanne the man (heard alongside m83, lab & villeneuve). 1st album for composer after a week experimenting in nomandoux.
code for free mp3 download of this album included.

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

time 4 harmony in this world from moss opens with the title track that is a 15 minute ride of percussive elements, atmospheric synths and melodies. resonant on the flip is a exquisite piece of experimentation & a day trip thru divination rounds off the ep with a slow tempod basement track.

small world discos leading light, ltj, is back with another terrific release. 16th in the series and still going as strong as ever. trademark ltj all over this one, three huge hits!

bristol purple w0w pioneer gemmy rolls out his second plate on his new home imprint and what a banger it is too! both sides hit hard on the dancefloor with >too far< heading up the a-side and >da dodgems< on the flip. solid ammunition that is in for a penny – in for a pound, bright and tastefully energetic throughout.

soul jazz records are re-releasing their seminal retrospective on arthur russell.
since the initial groundbreaking release of >the world of arthur russell< five years ago, russell has become the subject of intense media interest. with the recent release of a film about his life (>a portrait of arthur russell<), as well as a new album of unreleased recordings, (>love is overtaking me<), arthur russells stature as a great artist has grown to is current height. (>one of the great songwriters of the 20th century< the wire).

translation recordings returns to vinyl with a pair remixes from two scene veterans, selected to provide a fresh perspective on the digital catalogue. up first, seba applies his signature style to furi angas >when our world jaded<, where twinkling hi-hats and dreamy pads drift into meticulously chopped breaks, spliced drum edits, and warm bass tones with enough low-end to rattle your chest. as the track progresses, a filtered reese surges in and out of the arrangement for added bite. on the flip, survival revisits slider & exposes jazzy >hooked< and rolls out a soulful remix with heavy, shuffling drums, deep sub treatment, and a techno midrange that complements the tracks more subtle melodic elements to deliver a refreshing and energetic tune for the summer.

incl quantec remix !!! played and suported by efdemin, samuel l session, technasia, mathias schaffhäuser, cio d or, dasha rush, bryan zentz, chris carrier, florian meindl...

das zodiak free arts lab, auch bekannt als zodiak club, war eine temporäre gleichwohl sehr einflussreiche location für experimentelle live musik ende der 1960er. von kreuzberger künstlern 1967 im damaligen west berlin gegründet, war das zodiak free arts lab für eine weile ein wahres paradies für musiker, denn das laboratorium war ausgestattet mit instrumenten, verstärkern und lautsprechern, mit denen jeder ganz nach lust und laune spielen und experimentieren durfte.
vier jahrzehnte später hatte argy die idee, das konzept des clubs wieder zu beleben. argy ist einer der wenigen produzenten, die dieser tage einen völlig eigenen dance music sound kreieren, wie man an solch großartigen eps wie >love dose< (auf pokerflat inc. erschienen) hören kann oder bei seinen remixen für ibadan und defected und natürlich auch bei all den anderen vielzähligen projekten, in die er involviert ist. anschließend an den zodiak club der 60er hat argy für einen kurzen zeitraum seine eigenen privaten räumlichkeiten in berlin geöffnet um mit kollegen und freunden zu jamen. argy konzentrierte sich jedoch nicht nur auf musik-experimente, sondern lud seine gäste ein mit ihm gemeinsam an einer reihe von happenings teilzunehmen, wie zum beispiel an live musik sessions, abendessen, der gemeinsamen erfahrung der vielen facetten von schönheit, konversationen und allerlei anderen bizarren oder exzentrischen erlebnissen.

a1: talk to me - matthew kyle delivers on this one! a huge track, great vocals as always and a brilliant beat, coupled with keys and light percussion. top class!
b1: anger - what a groove! heavy beat, cool percussion ­ this will get you moving! vocals stick in your head and the bass line is subtle but great! so good!
b2: the thrill - mk doing what he does best, the slow grooving track. beautiful. fits so well in the small world disco catalogue.

the second release on new world audio is a 4 track ep showcasing a variety of flavours from the producers in the camp. the title track sees sukh knight and squarewave team up again after the success of their hench release, this time on the tribal roller called tribesman. the long list of club dj and radio support solidifies the strength of all the tracks on the ep.
supported by: mistajam, benga, redlight, rob da bank, plastician, jakes, eddie k, chefal, walsh and many more.

ltd repress !! finest open air tracks for the summer...

the first world unknown 12 inch kicks off with a slamming piece of prototype house from glasgows naum gabo aka jonnie wilkes from optimo and his production partner james savage. showing that a relatively low pace doesnt mean any drop in energy levels and dancefloor pump power, whop! cracks along like something from an alternate reality version of 1980’s chicago. its as easy to imagine it rocking the house at medusas or the box as it is to envision it in the present day soundtracking some kind of bizarro fetish party or a particularly intense session at berghain’s lab-oratory. this is jacking in the true sense of the word. on the flip side italian born berlin resident franz underwear ups the tempo with a stunning piece of slamming european musclebeat. shades of ibiza 88-89 pervade here, the kind of pumping, chunky synth action, teutonic vocal exhortations and vaguely menacing but ultimately benign vibe that sent thousands of potty european kids totally round the bend and changed the world of dance music forever.

if you were to cut neville watson he would bleed acid house, he would also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but thats a whole other story. for his first wu contribution he ventures down the ethereal proto-house boulevard. jacking 707 patterns, a bouncing juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. as ever, neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off. over on side u apiento, the force behind the magisterially brilliant testpressing website, chips in with a heartfelt homage to the new beat sound. another testimony to the fact that a lower tempo doesnt have to mean diminished energy levels, the orange place simply oozes class from top to bottom. like some lost ancienne belgique classic it pounds and pumps along, building up the tension all the while until the quasi- eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to southwark street in late 87.

finest open air tracks for the summer. strictly limited to 60 special hand numbered copies with original wood labels!!

a1 - hot beat: beautiful groove, heavy beat and awesome vocals. what a track to get swde back into the swing of things. absolute killer!
b1 - closer: another super track. heavy beat once it drops, nice deep bass, shuffling percussion and a brilliant vocal sample.
b2 - no you: the heavy beat theme continues on this track, nice bongo percussion and bass line is equally as heavy as the beat. cool chopped vocal sample, deep disco house at its very best!

two massive hits from the past which have been brought back into the light of the day by michael mayer.

house-rework of >mad world< by gary jules, known from the donnie darko soundtrack.

small world disco is back from a slight vacation since their last release, bring with them a massive treat! memoryman is back in control of swde013, two big tracks. ltj played the a side at the low slung party in london last month and it went off! cannot stress the brilliance of this enough.

maxmillion dunbar returns to future times with his first release there since it began with his >outrageous soulz< 45. >max trax for world peace< takes the house sound maxmillion hinted at on his 2010 >cool water< lp (for uks ramp recordings) into sublime territory. tip! in the hyper-percussive, shape-shifting opener >polo,< max mixes italian house, angelic choirs and a bouncing bassline, while >ballroom< sees a synthetic waltz become ambient disco as 707 claps echo from the corners. >piano & dream world< engulfs the entire b-side with a blissful, heart-wrenching workout indebted to those head-down, eyes closed house tunes of the past, adding what sounds like a smudged digital orchestra to a roller of a track that marches on (>and on<) forever

the fokuz sublabel fkz:ltd already racking up its 24th release.. this time its future signal & proktah who are ready to deliver some funked up sounds to the label.

always leena is the fertile breeding ground for inspiring artists that are new to the label and have caught the attention of mobilee’s label heads. this brand new release from smash tv is a perfect example of this vision in practice, as whilst the duo behind the name - holger zilske and kai preussner - have been in the game for quite some time, this is their first release on leena and it’s unsurprising that their high energy production and musical flair has been spotted and admired by the mobilee team. with releases in the past on labels such bpitch control, diynamic and get physical, now they are here to present ‘world wide wet’! all three tracks in the release come with the producers’ high energy dance-floor trademark, whilst in spite of it’s suggestive title ‘eating bullets’ takes it a bit deeper and gives you some space to kick back to. ‘world wide wet’ is a very welcome guest to leena, bringing more variety and spice to the imprints history so far…… enjoy

supported by: danny tenaglia, richie hawtin, tim green, luciano, ralf, daniel sanchez, timx xavier, davide squillace, luca bacchetti, paco osuna, hugo, troy piece, claudio coccoluto,daniele papini and many more.

italys revox return with coppola & nemola remixes from skwerl & marcello napoletano

we are pleased to announce the debut release of a young producer from the uk, bnjmn. his adventurous electronic sound is one we haven t heard in a while, and excited us on first listen. while on one hand his music has a traditional sound (early 90s uk), bnjmn does create a world of his own due to the versatility in his productions. it is this versatility that creates an exciting hybrid sound, therefore pushing the envelope and making it sound very current, future even

nice price deal !!!

this is 2nd single cut from the debut album of mr raoul k >introducing my world<. album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side is a title track of the album. its a typical raoul’s unique african minimal house. b side,>africa< is more musical song which is mixed the sound of traditional african instruments and chorus.

the ppu label searched for this guy for years and as soon as they got a hold of the mysterious california gospel producer the first question was, why name your group shelve? >its not shelf, its shell-vee, for shelby!< ppu was finally able to locate shelby when releasing a record with michael soward (ppu-022), turned out shelby produced the title track >hes alive<. >this world< was recorded and mixed by dale >rambo< ramsey, who went on to work with some major hip-hop acts like ludacris, raekwon and the youngbloodz! today shelby hurns is still producing records and will be releasing his latest cd summer 2011. check!

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

the first new single from small world disco edits label in 2011 comes from the don of italy: ltj. dope.
a: you know - heavy on the bass with a light hihat pattern and mellow kick/snare creates the backing for delayed/reverberated vocals and synth stabs. a down beat boogie feel on this one and its infectious!
b: all the way - easygoing rhythms in this track create a great groove. the vocal is the principal theme giving lead to the bass line and percussive elements. laid back funk style!

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

following up his successful foray of sampling on otp party breaks, andy ash finds himself diving head first into the darker outer limits of big room dance music. >another world< nods its head to technos yesteryear, more specifically detroit. imagine a slower version of the motor citys soulful chord pulsing sound and youll find yourself in the right ballpark. add to this andys finishing jacking touch and the result is golden. this time around otps remix work finds italian man of the hour nicholas, from no more hits (label) fame and otps very own marcos cabral

very timeless deep floating dub techno

a1: >welcome to my world< (jfk rework) - dark, deep disco! has a real strong groove when it kicks in. very dancefloor orientated, suitable for the peak hours! vocals are icing on the cake, a great track! b1: >backed up< (jfk rework) - heavy beat, head nodding time! has a psychedelic feel, deep! horns add a bit on the top of the immense depth. killer track! b2: >blind man< - stuttering, strut of a song. cool idea, centred on the bass. a must listen

future times with two epic tracks by brooklyn, nyc-based slava. >dreaming tiger< blends spliced chants, dark drums, a rugged bassline, and feverish guitars into a vicious house cut. on the flip is >world of spirits<, a humanoid fusion freak-out with rigorous techno vibes and a mystical left turn at the end that will take a partys breath away